A SCHOLARLY BOOK REPOSITORY160 start with M start with M
From reviews of the Spanish edition:
“Meyer’s perceptive commentary on Mexican power politics presents new insights into the petroleum lobbies in Mexico City and Washington. With unbiased empathy he shows the validity of Mexico’s complaints about foreigners’ deriving an overabundance of profit from a nonrenewable natural resource. He understands United States history and never abuses his license to criticize.” —Hispanic American Historical Review
“This useful addition to the literature on twentieth-century Mexican–United States diplomatic relations is a scholarly work, worthy of consideration by all students of the subject.”—American Historical Review
Mexico and the United States in the Oil Controversy, 1917–1942 explores the relationship between the United States and Mexico during the first half of the twentieth century, with special attention to the Mexican nationalization of the oil industry. Relying on Mexican archival material never before analyzed, the author presents a unique perspective on the period following the Mexican Revolution and Mexico’s efforts to diminish its economic dependency on the United States. This work not only describes the political and economic struggle between the Mexican government and the U.S. oil companies but also serves to illustrate in general the nature of dependency between Latin American countries and the United States. It will be of interest not only to Mexican specialists but also to diplomatic and economic historians.
This book explores how the city has grown and evolved from the Tenochtitlan city-state of the Aztecs to the capital of the Spanish empire’s “New Spain,” French intervention, revolution, and the newly branded CDMX. Nick Caistor leads us through centuries of history and into the material city of today: from recently constructed museums and shopping malls, to neighborhoods where age-old traditions still appear to be the norm. Whether sampling ice cream at Xochimilco, watching freestyle wrestling at the Arena Mexico, or savoring long Mexican breakfasts, Nick Caistor reveals why Mexico City continues to fascinate and beguile us.
Focusing on modern Mexico, from 1840 to the 1980s, this volume examines the cultural venues in which people articulated their understanding of the social, political, and economic change they witnessed taking place during times of tremendous upheaval, such as the Mexican-American War, the Porfiriato, and the Mexican Revolution. The words of diverse peoples—people of the street, of the field, of the cantinas—reveal the development of the modern nation. Neufeld and Matthews have chosen sources so far unexplored by Mexicanist scholars in order to investigate the ways that individuals interpreted—whether resisting or reinforcing—official narratives about formative historical moments.
The contributors offer new research that reveals how different social groups interpreted and understood the Mexican experience. The collected essays cover a wide range of topics: military life, railroad accidents, religious upheaval, children’s literature, alcohol consumption, and the 1985 earthquake. Each chapter provides a translated song or poem that encourages readers to participate in the interpretive practice of historical research and cultural scholarship. In this regard, Mexico in Verse serves both as a volume of collected essays and as a classroom-ready primary document reader.
A diverse collection of more than eighty selections, The Mexico Reader brings together poetry, folklore, fiction, polemics, photoessays, songs, political cartoons, memoirs, satire, and scholarly writing. Many pieces are by Mexicans, and a substantial number appear for the first time in English. Works by Octavio Paz and Carlos Fuentes are included along with pieces about such well-known figures as the larger-than-life revolutionary leaders Pancho Villa and Emiliano Zapata; there is also a comminiqué from a more recent rebel, Subcomandante Marcos. At the same time, the book highlights the perspectives of many others—indigenous peoples, women, politicians, patriots, artists, soldiers, rebels, priests, workers, peasants, foreign diplomats, and travelers.
The Mexico Reader explores what it means to be Mexican, tracing the history of Mexico from pre-Columbian times through the country’s epic revolution (1910–17) to the present day. The materials relating to the latter half of the twentieth century focus on the contradictions and costs of postrevolutionary modernization, the rise of civil society, and the dynamic cross-cultural zone marked by the two thousand-mile Mexico-U.S. border. The editors have divided the book into several sections organized roughly in chronological order and have provided brief historical contexts for each section. They have also furnished a lengthy list of resources about Mexico, including websites and suggestions for further reading.
Mexico presents a unique case in which much of the nation’s forests were placed as commons in the hands of communities, who, with state support and their own entrepreneurial vigor, created community forest enterprises (CFEs). David Barton Bray, who has spent more than thirty years engaged with and researching Mexican community forestry, shows that this reform has transformed forest management in that country at a scale and level of maturity unmatched anywhere else in the world.
For decades Mexico has been conducting a de facto large-scale experiment in the design of a national social-ecological system (SES) focused on community forests. What happens when you give subsistence communities rights over forests, as well as training, organizational support, equipment, and financial capital? Do the communities destroy the forest in the name of economic development, or do they manage them sustainably, generating current income while maintaining intergenerational value as a resource for their children? Bray shares the scientific and social evidence that can now begin to answer these questions. This is an invaluable resource for students, researchers, and the interested public on the future of global forest resilience and the possibilities for a good Anthropocene.
Ethelia Ruiz Medrano focuses on a series of individual cases, falling within successive historical epochs, that illustrate how the practice of drawing up and preserving historical documents-in particular, maps, oral accounts, and painted manuscripts-has been a determining factor in the history of Mexico's Indian communities for a variety of purposes, including the significant issue of land and its rightful ownership. Since the sixteenth century, numerous Indian pueblos have presented colonial and national courts with historical evidence that defends their landholdings.
Because of its sweeping scope, groundbreaking research, and the author's intimate knowledge of specific communities, Mexico's Indigenous Communities is a unique and exceptional contribution to Mexican history. It will appeal to students and specialists of history, indigenous studies, ethnohistory, and anthropology of Latin America and Mexico
Through extensive archival research, Hoberman brings to light new data that illuminate the formation, behavior, and power of the merchant class in New Spain. She documents sources and uses of merchant wealth, tracing the relative importance of mining, agriculture, trade, and public office. By delving into biographical information on prominent families, Hoberman also reveals much about the longevity of the first generation’s social and economic achievements.
The author’s broad analysis situates her study in the overall environment in which the merchants thrived. Among the topics discussed are the mining and operation of the mint, Mexico’s political position vis-a-vis Spain, and the question of an economic depression in the seventeenth century.
Blending the personal narratives of middle-class Mexicans with analyses of national surveys of households and voters, Dennis Gilbert traces the development of the middle class since the 1940s. He describes how middle-class Mexicans were affected by the economic upheavals of the 1980s and 1990s and examines their shifting relations with the ruling Partido Revolucionario Institucional (PRI).
Long faithful to the PRI, the middle class gradually grew disenchanted. Gilbert examines middle-class reactions to the 1968 Tlatelolco massacre, the 1982 debt crisis, the government’s feeble response to the 1985 Mexico City earthquake, and its brazen manipulation of the vote count in the 1988 presidential election. Drawing on detailed interviews with Mexican families, he describes the effects of the 1994–95 peso crisis on middle-class households and their economic and political responses to it. His analysis of exit poll data from the 2000 elections shows that the lopsided middle-class vote in favor of opposition candidate Vicente Fox played a critical role in the election that drove the PRI from power after seven decades.
The book closes with an epilogue on the middle class and the July 2006 presidential elections.
Don Vasco de Quiroga (1470-1565) was the first bishop of Michoacán in Western Mexico. Driven by the desire to convert the native Purhépecha-Chichimec peoples to a purified form of Christianity, free of the corruptions of European Catholicism, he sought to establish New World Edens in Michoacán by congregating the people into pueblo-hospital communities, where mendicant friars could more easily teach them the fundamental beliefs of Christianity and the values of Spanish culture.
In this broadly synthetic study, Bernardino Verástique explores Vasco de Quiroga's evangelizing project in its full cultural and historical context. He begins by recreating the complex and not wholly incompatible worldviews of the Purhépecha and the Spaniards at the time of their first encounter in 1521. With Quiroga as a focal point, Verástique then traces the uneasy process of assimilation and resistance that occurred on both sides as the Spaniards established political and religious dominance in Michoacán. He describes the syncretisms, or fusions, between Christianity and indigenous beliefs and practices that arose among the Purhépecha and relates these to similar developments in other regions of Mexico.
Written especially for students and general readers, this book demonstrates how cultural and geographical environments influence religious experience, while it adds to our understanding of the process of indigenous appropriation of Christian theological concepts in the New World.
The World Health Organization is currently promoting a policy of replacing traditional or lay midwives in countries around the world. As part of an effort to record the knowledge of local midwives before it is lost, Midwives and Mothers explores birth, illness, death, and survival on a Guatemalan sugar and coffee plantation, or finca, through the lives of two local midwives, Doña Maria and her daughter Doña Siriaca, and the women they have served over a forty-year period.
By comparing the practices and beliefs of the mother and daughter, Sheila Cosminsky shows the dynamics of the medicalization process and the contestation between the midwives and biomedical personnel, as the latter try to impose their system as the authoritative one. She discusses how the midwives syncretize, integrate, or reject elements from Mayan, Spanish, and biomedical systems. The midwives’ story becomes a lens for understanding the impact of medicalization on people’s lives and the ways in which women’s bodies have become contested terrain between traditional and contemporary medical practices. Cosminsky also makes recommendations for how ethno-obstetric and biomedical systems may be accommodated, articulated, or integrated. Finally, she places the changes in the birthing system in the larger context of changes in the plantation system, including the elimination of coffee growing, which has made women, traditionally the primary harvesters of coffee beans, more economically dependent on men.
Few episodes in Texas history have excited more popular interest than the Mier Expedition of 1842. Nineteen-year-old Joseph D. McCutchan was among the 300 Texans who, without the cover of the Lone Star flag, launched their own disastrous invasion across the Rio Grande.
McCutchan's diary provides a vivid account of his experience—the Texans' quick dispatch by Mexican troops at the town of Mier, the hardships of a forced march to Mexico City, over twenty months of imprisonment, and the journey back home after release. Although there are other firsthand accounts of the Mier Expedition, McCutchan was the only diarist who followed the Tampico route to Mexico City. His account documents a different experience than that of the main body of prisoners who marched to the national capital by way of Monterrey, Saltillo, and Agua Nueva.
Among the last of the prisoners to be freed, McCutchan covers in his journal the whole period of confinement from December 26, 1842, to the final release on September 16, 1844.
The McCutchan diary is set apart from other Mier accounts not only by the new information it provides, but also by Joseph Milton Nance's superb editing. Nance is an acknowledged authority on the hostilities between Texas and Mexico during the era of the Texas Republic. He has transcribed, edited, and annotated the diary with characteristic scholarship and painstaking attention to detail.
Gabriel Barrios Cabrera, leader of the Brigada Serrana, rose from rural obscurity in the tiny village of Cuacuila to a position of unprecedented military strength during the Revolution, and throughout the 1920s he and his brother Demetrio came to enjoy the confidence of the nation's presidents. This work provides an in-depth look at how a local political boss held on to power. Keith Brewster reveals how the story of the Sierra is inextricably linked to that of the Barrios Cabrera family, and he investigates the ways in which this interconnection developed.
Brewster argues that Barrios owed his long prominence to his sensitivity to the region's culture, but also shows that the extent of his power was exaggerated by both contemporaries and historians. Barrios was able to develop a working relationship with the federal government by endorsing its objectives and convincing them of his own indispensability, but his authority depended on the weakness of the federal government and on infighting within the Puebla state government; once both governments stabilized, Barrios quickly lost his grip on power.
Masterfully blending archival sources and oral history, Brewster captures life in the Sierra during the 1920s and examines the decision-making processes that determined how communities responded to new pressures, such as requests for soldiers or support for development projects. He shows that subaltern groups were able to shape and even resist state reforms, mustering evidence that the Sierra's indigenous communities drove hard bargains over issues affecting their everyday lives. Although many communities used Barrios as an intermediary, Brewster reveals that they did not universally accept his legitimacy but simply used his connections to pursue their own local agendas.
Brewster depicts the Sierra de Puebla of the 1920s as a scene of shifting balances of power where political, economic, social, and ethnic factors combined to produce the temporary ascendancy of different interest groups beyond and within the region. His study forces us to question assumptions about how power was exercised at the local and regional levels in postrevolutionary Mexico and will be of lasting interest to all concerned with the dynamics of caciquismo and the evolution of the Mexican political system.
Combining oral history with detailed archival research, Millenarian Vision, Capitalist Reality depicts a peasant community whose security in economic, social, and religious relations was suddenly disrupted by the intrusion of international capital. Diacon shows how a “deadly triumvirate” comprised to foreign capital, state power, and local bosses engineered a land tenure revolution that threatened smallholders’ subsistence, sparking rebellion among the Contestado peasants.
Unlike most analysis of millenarian movements, Diacon combines a material analysis with a careful exploration of the movement’s millenarian ideology to demonstrate how a particular combination of external and internal forces produced a crisis of values in the Contestado society. Such a crisis, Diacon concludes, gave a special power to the millenarian vision that promised not only outward reform, but inner salvation as well. This work offers a significant contribution to the literature of millenarian movements, popular religion, peasant rebellions, and the transition to capitalism in Brazil.
The inhabitants of the department of Antioquía in north-central Colombia have played a unique role in that country’s economic history. During the colonial period Antioqueño placer miners supplied a substantial portion of New Granada’s gold exports. Their nineteenth-century descendants pioneered investments in lode mining, colonization, international commerce, banking, stock raising, tobacco, and coffee. In the twentieth century, Antioqueños initiated the industrialization of the regional capital, Medellín.
Many theories have been set forth to account for the special energy and initiative of Antioqueños. They range from ethnic and psychological interpretations (Antioqueños are descended from Jews or Basques; they are driven to succeed because of status deprivation) to historical explanations that emphasize their geographic isolation, mining heritage, or the coffee-export economy. In Miners, Merchants, and Farmers in Colonial Colombia, Ann Twinam critiques these theories and sets forth her own revisionist interpretation of Antioqueño enterprise. Rather than emphasize the alien or deviant in Antioqueño psychology or culture, Twinam re-creates the region’s late colonial economic and social structure and attributes the origins of Antioqueño enterprise to a particular mix of human and natural resources that directed the region’s development toward capital accumulation and reinvestment.
Although the existing limitations of their colonial environment may have forced Antioqueños along enterprising pathways initially, the continuation of Antioqueño investments to the present day suggests that their adaptation to a specific economic reality became a way of life transcending the historical conditions that created it.
Child combines history and political science with philatelic research of nearly forty thousand Latin American stamps. He focuses on Argentina and the Southern Cone, highlighting stamps representing the consolidation of the Argentine republic and those produced under its Peronist regime. He compares Chilean stamps issued by the leftist government of Salvador Allende and by Augusto Pinochet’s dictatorship. Considering postage stamps produced under other dictatorial regimes, he examines stamps from the Dominican Republic, Guatemala, Nicaragua, and Paraguay. Child studies how international conflicts have been depicted on the stamps of Argentina, Chile, and Peru, and he pays particular attention to the role of South American and British stamps in establishing claims to the Malvinas/Falkland Islands and to Antarctica. He also covers the cultural and political history of stamps in Bolivia, Brazil, Colombia, Cuba, Grenada, Mexico, Uruguay, Venezuela and elsewhere. In Miniature Messages, Child finds the political history of modern Latin America in its “tiny posters.”
Latin American history—the stuff of wars, elections, conquests, inventions, colonization, and all those other events and processes attributed to adults—has also been lived and partially forged by children. Taking a fresh look at Latin American and Caribbean society over the course of more than half a millennium, this book explores how the omission of children from the region's historiography may in fact be no small matter.
Children currently make up one-third of the population of Latin America and the Caribbean, and over the centuries they have worked, played, worshipped, committed crimes, and fought and suffered in wars. Regarded as more promising converts to the Christian faith than adults, children were vital in European efforts to invent loyal subjects during the colonial era. In the contemporary economies of Latin America and the Caribbean—where 23 percent of people live on a dollar per day or less—the labor of children may spell the difference between survival and starvation for millions of households.
Minor Omissions brings together scholars of history, anthropology, religion, and art history as well as a talented young author who has lived in the streets of a Brazilian city since the age of nine. The book closes with the prophetic dystopian tale "The Children's Rebellion" by the noted Uruguayan writer Cristina Peri Rossi.
"Disturbing and often enthralling."—New York Times Book Review
"Extraordinarily moving. . . . Weschler writes brilliantly."—Newsday
"Implausible, intricate and dazzling."—Times Literary Supplement
"As Weschler's interviewees told their tales, I paced agitatedly, choked back tears. . . . Weschler narrates these two episodes with skill and tact. . . . An inspiring book."—George Scialabba, Los Angeles Weekly
In 1690, a dramatic account of piracy was published in Mexico City. The Misfortunes of Alonso Ramírez described the incredible adventures of a poor Spanish American carpenter who was taken captive by British pirates near the Philippines and forced to work for them for two years. After circumnavigating the world, he was freed and managed to return to Mexico, where the Spanish viceroy commissioned the well-known Mexican scholar Carlos de Sigüenza y Góngora to write down Ramírez's account as part of an imperial propaganda campaign against pirates.
The Misfortunes of Alonso Ramírez has long been regarded as a work of fiction—in fact, as Latin America's first novel—but Fabio López Lázaro makes a convincing case that the book is a historical account of real events, albeit full of distortions and lies. Using contemporary published accounts, as well as newly discovered documents from Spanish, English, French, Portuguese, and Dutch archives, he proves that Ramírez voyaged with one of the most famous pirates of all time, William Dampier. López Lázaro's critical translation of The Misfortunes provides the only extensive Spanish eyewitness account of pirates during the period in world history (1650–1750) when they became key agents of the European powers jockeying for international political and economic dominance. An extensive introduction places The Misfortunes within the worldwide struggle that Spain, England, and Holland waged against the ambitious Louis XIV of France, which some historians consider to be the first world war.
In the spring of 1983, a North American couple who were hoping to adopt a child internationally received word that if they acted quickly, they could become the parents of a boy in an orphanage in Honduras. Layers of red tape dissolved as the American Embassy there smoothed the way for the adoption. Within a few weeks, Margaret Ward and Thomas de Witt were the parents of a toddler they named Nelson—an adorable boy whose prior life seemed as mysterious as the fact that government officials in two countries had inexplicably expedited his adoption.
In Missing Mila, Finding Family, Margaret Ward tells the poignant and compelling story of this international adoption and the astonishing revelations that emerged when Nelson's birth family finally relocated him in 1997. After recounting their early years together, during which she and Tom welcomed the birth of a second son, Derek, and created a family with both boys, Ward vividly recalls the upheaval that occurred when members of Nelson's birth family contacted them and sought a reunion with the boy they knew as Roberto. She describes how their sense of family expanded to include Nelson's Central American relatives, who helped her piece together the lives of her son's birth parents and their clandestine activities as guerrillas in El Salvador's civil war. In particular, Ward develops an internal dialogue with Nelson's deceased mother Mila, an elusive figure whose life and motivations she tries to understand.
These "Kino Missions" were surveyed in 1935 by the National Park Service to prepare for the restoration of the mission at Tumacacori, Arizona, then a National Historic Monument. That report, which was never published, provided insights into the missions' history and architecture that remain of lasting relevance. Perhaps more important, it documented these structures in photographs and drawings—the latter including floor plans and sketches of architectural detail—that today are of historic as well as aesthetic interest.
This volume reproduces that 1935 report in its entirety, focusing on sixteen missions and including two maps, 52 drawings, and 76 photographs. With a new introduction and appendixes that place the original study in context, The Missions of Northern Sonora is an invaluable reference for scholars and mission visitors alike.
Between the 1870s, when the great influx of European immigrants began, and the start of World War I, Argentina underwent a radical alteration of its social composition and patterns of economic productivity. Mark Szuchman, in this groundbreaking study, examines the occupational, residential, educational, and economic patterns of mobility of some four thousand men, women, and children who resided in Córdoba, Argentina's most important interior city, during this changeful era.
Through several kinds of samples, Szuchman provides a widely encompassing social picture of Córdoba, describing, among others, the unskilled laborer, the immigrant bachelor in search of roots and identity, the merchant seeking or giving credit, and the member of the elite, blind to some of the realities around him. The challenge that the pursuit of security entailed for most people and the failure of so many to persist successfully form a large part of that picture.
The author has made ample use of quantitative techniques, but secondary materials are also utilized to provide social perspectives that round out and humanize the quantitative data. The use of record linkage as the essential research method makes this work the first book on Argentina to follow similar and very successful research methodologies employed by U.S. historians.
Arvey Foundation Book Award, Association for Latin American Art, 2018
Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and the artwork and opened the realm of art to untrained and self-taught artists, artisans, and women. Writing about the modernist works in newspapers and magazines, critics provided a new vocabulary with which to interpret and assign value to the expanding sets of abstracted forms produced by these artists, whose lives were shaped by mobility.
The Mobility of Modernism examines modernist artworks and criticism that circulated among a network of cities, including Buenos Aires, Mexico City, Havana, and Lima. Harper Montgomery maps the dialogues and relationships among critics who published in avant-gardist magazines such as Amauta and Revista de Avance and artists such as Carlos Mérida, Xul Solar, and Emilio Pettoruti, among others, who championed esoteric forms of abstraction. She makes a convincing case that, for these artists and critics, modernism became an anticolonial stance which raised issues that are still vital today—the tensions between the local and the global, the ability of artists to speak for blighted or unincorporated people, and, above all, how advanced art and its champions can enact a politics of opposition.
Though the Aztec Empire fell to Spain in 1521, three principal heirs of the last emperor, Moctezuma II, survived the conquest and were later acknowledged by the Spanish victors as reyes naturales (natural kings or monarchs) who possessed certain inalienable rights as Indian royalty. For their part, the descendants of Moctezuma II used Spanish law and customs to maintain and enhance their status throughout the colonial period, achieving titles of knighthood and nobility in Mexico and Spain. So respected were they that a Moctezuma descendant by marriage became Viceroy of New Spain (colonial Mexico's highest governmental office) in 1696.
This authoritative history follows the fortunes of the principal heirs of Moctezuma II across nearly two centuries. Drawing on extensive research in both Mexican and Spanish archives, Donald E. Chipman shows how daughters Isabel and Mariana and son Pedro and their offspring used lawsuits, strategic marriages, and political maneuvers and alliances to gain pensions, rights of entailment, admission to military orders, and titles of nobility from the Spanish government. Chipman also discusses how the Moctezuma family history illuminates several larger issues in colonial Latin American history, including women's status and opportunities and trans-Atlantic relations between Spain and its New World colonies.
Designed as a survey and focused on key examples and movements arranged chronologically from 1903 to 2003, this is the first comprehensive history of modern architecture in Latin America in any language.
Runner-up, University Co-op Robert W. Hamilton Book Award, 2015
Modern Architecture in Latin America: Art, Technology, and Utopia is an introductory text on the issues, polemics, and works that represent the complex processes of political, economic, and cultural modernization in the twentieth century. The number and types of projects varied greatly from country to country, but, as a whole, the region produced a significant body of architecture that has never before been presented in a single volume in any language. Modern Architecture in Latin America is the first comprehensive history of this important production.
Designed as a survey and focused on key examples/paradigms arranged chronologically from 1903 to 2003, this volume covers a myriad of countries; historical, social, and political conditions; and projects/developments that range from small houses to urban plans to architectural movements. The book is structured so that it can be read in a variety of ways—as a historically developed narrative of modern architecture in Latin America, as a country-specific chronology, or as a treatment of traditions centered on issues of art, technology, or utopia. This structure allows readers to see the development of multiple and parallel branches/historical strands of architecture and, at times, their interconnections across countries. The authors provide a critical evaluation of the movements presented in relationship to their overall goals and architectural transformations.
Mexico City became one of the centers of architectural modernism in the Americas in the first half of the twentieth century. Invigorated by insights drawn from the first published histories of Mexican colonial architecture, which suggested that Mexico possessed a distinctive architecture and culture, beginning in the 1920s a new generation of architects created profoundly visual modern buildings intended to convey Mexico’s unique cultural character. By midcentury these architects and their students had rewritten the country’s architectural history and transformed the capital into a metropolis where new buildings that evoked pre-conquest, colonial, and International Style architecture coexisted.
Through an exploration of schools, a university campus, a government ministry, a workers’ park, and houses for Diego Rivera and Luis Barragán, Kathryn O’Rourke offers a new interpretation of modern architecture in the Mexican capital, showing close links between design, evolving understandings of national architectural history, folk art, and social reform. This book demonstrates why creating a distinctively Mexican architecture captivated architects whose work was formally dissimilar, and how that concern became central to the profession.
Modern Mexican Culture offers an enriching and deep investigation of key ideas and events in Mexico through an examination of art and history. Experts in Mexican cultural and literary studies cover the 1968 Tlatelolco student massacre, the figure of the charro (cowboy), the construct of the postrevolutionary teacher, the class-correlated construct of gente decente, a borderlands response to the rhetoric of dominance, and the “democratic transition” in late twentieth-century Mexico. Each essay is a rich reading experience, providing teachers and students alike with a deep and well-contextualized sense of Mexican life, culture, and politics.
Each chapter provides a historical grounding of its topic, followed by a multifaceted analysis through various artistic representations that provide a more complex view of Mexico. Chapters are accompanied by lists of readily available murals, political cartoons, plays, pamphlets, posters, films, poems, novels, and other cultural products. Modern Mexican Culture demonstrates the power of art and artists to question, explain, and influence the world around us.
Contributors:
Rafael Acosta Morales
Jacqueline E. Bixler
Marta Caminero-Santangelo
Debra A. Castillo
Christopher Conway
David S. Dalton
Stuart A. Day
Emily Hind
Robert McKee Irwin
Ryan Long
Dana A. Meredith
Magalí Rabasa
Luis Alberto Rodríguez Cortés
Fernando Fabio Sánchez
Ignacio M. Sánchez Prado
Analisa Taylor
Oswaldo Zavala
A CHOICE Outstanding Academic Book
Modernismo arose in Spanish American literature as a confrontation with and a response to modernizing forces that were transforming Spanish American society in the later nineteenth century. In this book, Cathy L. Jrade undertakes a full exploration of the modernista project and shows how it provided a foundation for trends and movements that have continued to shape literary production in Spanish America throughout the twentieth century.
Jrade opens with a systematic consideration of the development of modernismo and then proceeds with detailed analyses of works-poetry, narrative, and essays-that typified and altered the movement's course. In this way, she situates the writing of key authors, such as Rubén Darío, José Martí, and Leopoldo Lugones, within the overall modernista project and traces modernismo's influence on subsequent generations of writers.
Jrade's analysis reclaims the power of the visionary stance taken by these creative intellectuals. She firmly abolishes any lingering tendency to associate modernismo with affectation and effete elegance, revealing instead how the modernistas' new literary language expressed their profound political and epistemological concerns.
Modernity at Gunpoint provides the first study of the political and cultural significance of weaponry in the context of major armed conflicts in Mexico and Central America. In this highly original study, Sophie Esch approaches political violence through its most direct but also most symbolic tool: the firearm. In novels, songs, and photos of insurgency, firearms appear as artifacts, tropes, and props, through which artists negotiate conceptions of modernity, citizenship, and militancy. Esch grounds her analysis in important rereadings of canonical texts by Martín Luis Guzman, Nellie Campobello, Omar Cabezas, Gioconda Belli, Sergio Ramirez, Horacio Castellanos Moya, and others. Through the lens of the iconic firearm, Esch relates the story of the peasant insurgencies of the Mexican Revolution, the guerrilla warfare of the Sandinista Revolution, and the ongoing drug-related wars in Mexico and Central America, to highlight the historical, cultural, gendered, and political significance of weapons in this volatile region.
A major, new, and comprehensive look at six decades of macroeconomic policies across the region
What went wrong with the economic development of Latin America over the past half-century? Along with periods of poor economic performance, the region’s countries have been plagued by a wide variety of economic crises. This major new work brings together dozens of leading economists to explore the economic performance of the ten largest countries in South America and of Mexico. Together they advance the fundamental hypothesis that, despite different manifestations, these crises all have been the result of poorly designed or poorly implemented fiscal and monetary policies.
Each country is treated in its own section of the book, with a lead chapter presenting a comprehensive database of the country’s fiscal, monetary, and economic data from 1960 to 2017. The chapters are drawn from one-day academic conferences—hosted in all but one case, in the focus country—with participants including noted economists and former leading policy makers. Cowritten with Nobel Prize winner Thomas J. Sargent, the editors’ introduction provides a conceptual framework for analyzing fiscal and monetary policy in countries around the world, particularly those less developed. A final chapter draws conclusions and suggests directions for further research.
A vital resource for advanced undergraduate and graduate students of economics and for economic researchers and policy makers, A Monetary and Fiscal History of Latin America, 1960–2017 goes further than any book in stressing both the singularities and the similarities of the economic histories of Latin America’s largest countries.
Contributors: Mark Aguiar, Princeton U; Fernando Alvarez, U of Chicago; Manuel Amador, U of Minnesota; Joao Ayres, Inter-American Development Bank; Saki Bigio, UCLA; Luigi Bocola, Stanford U; Francisco J. Buera, Washington U, St. Louis; Guillermo Calvo, Columbia U; Rodrigo Caputo, U of Santiago; Roberto Chang, Rutgers U; Carlos Javier Charotti, Central Bank of Paraguay; Simón Cueva, TNK Economics; Julián P. Díaz, Loyola U Chicago; Sebastian Edwards, UCLA; Carlos Esquivel, Rutgers U; Eduardo Fernández Arias, Peking U; Carlos Fernández Valdovinos (former Central Bank of Paraguay); Arturo José Galindo, Banco de la República, Colombia; Márcio Garcia, PUC-Rio; Felipe González Soley, U of Southampton; Diogo Guillen, PUC-Rio; Lars Peter Hansen, U of Chicago; Patrick Kehoe, Stanford U; Carlos Gustavo Machicado Salas, Bolivian Catholic U; Joaquín Marandino, U Torcuato Di Tella; Alberto Martin, U Pompeu Fabra; Cesar Martinelli, George Mason U; Felipe Meza, Instituto Tecnológico Autónomo de México; Pablo Andrés Neumeyer, U Torcuato Di Tella; Gabriel Oddone, U de la República; Daniel Osorio, Banco de la República; José Peres Cajías, U of Barcelona; David Perez-Reyna, U de los Andes; Fabrizio Perri, Minneapolis Fed; Andrew Powell, Inter-American Development Bank; Diego Restuccia, U of Toronto; Diego Saravia, U de los Andes; Thomas J. Sargent, New York U; José A. Scheinkman, Columbia U; Teresa Ter-Minassian (formerly IMF); Marco Vega, Pontificia U Católica del Perú; Carlos Végh, Johns Hopkins U; François R. Velde, Chicago Fed; Alejandro Werner, IMF.
Drake links the Kemmerer missions to vital developments in the political economic history of the Andean republics in the interwar period. He analyzes the domestic interest groups and political forces whose convergent strategies gave the Kemmerer missions their remarkable record in achieving local success for the reforms proposed. Second, Drake situates the Kemmerer missions at the center of a process of political modernization that created new institutions and policy agencies in each of the five countries; the missions thereby contributed to the expansion of the central government as an agent of development in ways that later differed sharply from Kemmerer's orthodox policies. Finally, The Money Doctor in the Andes regards developments in the Andean countries in the context of the region's developing economic ties to the United States. Expectations that Kemmerer's plans would simultaneously attract foreign capital and control inflation drew support from sectors as diverse as trade unions and landowners. When the Depression deepened, Kemmerer's policies proved counterproductive and the fragile consensus that had installed them fell apart, but the political and administrative reforms endured—with far-reaching consequences.
Aldenderfer's investigation forms a methodological and theoretical tour de force that elucidates elevational stress—what it takes for humans to adjust and survive at high altitudes. In a masterful integration of mountain biology and ecology, he emphasizes the nature of hunter-gatherer adaptations to high-mountain environments. He carefully documents the cultural history of Asana, the first stratified, open-air site discovered in the highlands of the south-central Andes. He establishes a number of major occurrences at this revolutionary site, including the origins of plant and animal domestication and transitions to food production, the growth and packing of forager populations, and the advent of some form of complexity and social hierarchy.
The rich and diversified archaeological record recovered at Asana—which spans from 10,000 to 3,500 years ago—includes the earliest houses as well as public and ceremonial buildings in the central cordillera. Built, used, and abandoned over many millennia, the Asana structures completely transform our understanding of the antiquity and development of native American architecture. Aldenderfer's detailed archaeological case study of high-elevation foraging adaptation, his description of this extreme environment as a viable human habitat, and his theoretical model of montane foraging create a new understanding of the lifeways of foraging peoples worldwide.
After the Revolution of 1910, a powerful group of Monterrey businessmen led by the Garza-Sada family emerged as a key voice of the Mexican private sector. The Monterrey Elite and The Mexican State is the first major historical study of the "Grupo Monterrey," the business elite that transformed Monterrey into a premier industrial center, the "Pittsburgh" of Mexico.
Drawing on archival resources in the United States and Mexico and the work of previous scholars, Alex Saragoza examines the origins of the Monterrey elite. He argues that a "pact" between the new state and business interests was reached by the 1940 presidential elections—an accord that paved the way for the "alliance for profits" that has characterized relations between the Mexican state and capitalists since that time.
More than a standard business history, this study delves into both the intimate social world of the Garza-Sadas and their allies and the ideas, beliefs, and vision of the Monterrey elite that set it apart from and often against the Mexican government. In so doing, The Monterrey Elite and the Mexican State reveals the underlying forces that led to the most historic battle between the private sector and the Mexican state: the dramatic showdown in 1936 between the Garza-Sadas and then President Lázaro Cárdenas in Monterrey, Nuevo León.
In Mothers and the Mexican Antinuclear Power Movement, Velma García-Gorena traces the protest movement against the Mexican government's Laguna Verde nuclear plant, outlining the movement's formation, development, and decline. Documenting the movement's key players and turning points in superb detail, she interweaves important historical narrative with a deft examination of the events, framing her analysis in terms of social movement literature. In a departure from the more conventional New Social Movements approach to analyzing antinuclear movements, García-Gorena demonstrates how, in many ways, movements of this kind are not so new and how a modified "political process" approach fits much better. With a sophisticated application of various social movements' paradigms, García-Gorena incorporates perspectives such as resource mobilization, political process paradigms, and feminist theory.
Timely, well written, and thoroughly researched, Mothers and the Mexican Antinuclear Power Movement fills a major gap in the literature on grassroots environmental movements in Latin America. Both rich in empirical detail and convincing in its conclusions, this study provides a broader understanding of Mexican social movements and the quest for democracy in developing countries.
Lina Penna Sattamini describes her son’s tribulations through letters exchanged among family members, including Marcos, during the year that he was imprisoned. Her narrative is enhanced by Marcos’s account of his arrest, imprisonment, and torture. James N. Green’s introduction provides an overview of the political situation in Brazil, and Latin America more broadly, during that tumultuous era. In the 1990s, some Brazilians began to suggest that it would be best to forget the trauma of that era and move on. Lina Penna Sattamini wrote her memoir as a protest against historical amnesia. First published in Brazil in 2000, A Mother’s Cry is testimonial literature at its best. It conveys the experiences of a family united by love and determination during years of political repression.
The Motions Beneath is a social history of the encounter of these thousands of indigenous peoples representing ten linguistic groups. Using baptism and marriage records, Laurent Corbeil creates a demographic image of the town’s population. He studies two generations of highly mobile individuals, revealing their agency and subjectivity when facing colonial structures of exploitation on a daily basis.
Corbeil’s study depicts the variety of paths on which indigenous peoples migrated north to build this diverse urban society. Breaking new ground by bridging stories of migration, labor relations, sexuality, legal culture, and identity construction, Corbeil challenges the assumption that urban indigenous communities were organized along ethnic lines. He posits instead that indigenous peoples developed extensive networks and organized themselves according to labor, trade, and social connections.
Nineteenth- and twentieth-century Colombian elite intellectuals, Appelbaum contends, mapped race onto their mountainous topography by defining regions in racial terms. They privileged certain places and inhabitants as white and modern and denigrated others as racially inferior and backward. Inhabitants of Riosucio, however, elaborated local narratives about their mestizo and indigenous identities that contested the white mystique of the Coffee Region. Ongoing violent conflicts over land and politics, Appelbaum finds, continue to shape local debates over history and identity. Drawing on archival and published sources complemented by oral history, Muddied Waters vividly illustrates the relationship of mythmaking and racial inequality to regionalism and frontier colonization in postcolonial Latin America.
Multiple InJustices synthesizes R. Aída Hernández Castillo’s twenty-four years of activism and research among indigenous women’s organizations in Latin America. As both feminist and critical anthropologist, Hernández Castillo analyzes the context of legal pluralism wherein the indigenous women of Mexico, Guatemala, and Colombia struggle for justice. Through ethnographical research in community, state, and international justice, she reflects on the possibilities and limitations of customary, national, and international law for indigenous women.
Colonialism, racism, and patriarchal violence have been fundamental elements for the reproduction of capitalism, Hernández Castillo asserts. Only a social policy that offers economic alternatives based on distribution of wealth and a real recognition of cultural and political rights of indigenous peoples can counter the damage of outside forces such as drug cartels on indigenous lands.
She concludes that the theories of indigenous women on culture, tradition, and gender equity—as expressed in political documents, event reports, public discourse, and their intellectual writings—are key factors in the decolonization of Latin American feminisms and social justice for all.
Since prehistoric times, Andean societies have been organized around the ayllu, a grouping of real or ceremonial kinspeople who share labor, resources, and ritual obligations. Many Andean scholars believe that the ayllu is as ancient as Andean culture itself, possibly dating back as far as 6000 B.C., and that it arose to alleviate the hardships of farming in the mountainous Andean environment.
In this boldly revisionist book, however, William Isbell persuasively argues that the ayllu developed during the latter half of the Early Intermediate Period (around A.D. 200) as a means of resistance to the process of state formation. Drawing on archaeological evidence, as well as records of Inca life taken from the chroniclers, Isbell asserts that prehistoric ayllus were organized around the veneration of deceased ancestors, whose mummified bodies were housed in open sepulchers, or challups, where they could be visited by descendants seeking approval and favors. By charting the temporal and spatial distribution of chullpa ruins, Isbell offers a convincing new explanation of where, when, and why the ayllu developed.
Museum Matters traces the emergence, consolidation, and dispersal of this national museum complex by telling the stories of its objects. Objects that have been separated over time are brought back together in this book in order to shed light on the interactions and processes that have forged things into symbols of science, aesthetics, and politics. The contributors to this volume illuminate how collections came into being or ceased to exist over time, or how objects moved in and out of collections and museum spaces. They explore what it means to move things physically and spatially, as well as conceptually and symbolically.
Museum Matters unravels the concept of the national museum. By unmaking the spaces, frameworks, and structures that form the complicated landscape of national museums, this volume brings a new way to understand the storage, displays, and claims about the Mexican nation’s collections today.
Contributors
Miruna Achim, Christina Bueno, Laura Cházaro, Susan Deans-Smith, Frida Gorbach, Haydeé López Hernández, Carlos Mondragón, Bertina Olmedo Vera, Sandra Rozental, Mario Rufer
Wade's fresh look at the way music transforms and is transformed by ideologies of race, nation, sexuality, tradition, and modernity is the first book-length study of Colombian popular music.
Divided into symmetrical halves—South reading North and North reading South—the book presents essays by leading novelists, poets, and other writers that focus on the work of another literary figure from across the divide. Borges, for example, finds in Hawthorne the perfect precursor to his own interest in allegories; Katherine Anne Porter examines José Joaquín Fernández de Lizardi as a rascal whose picaresque views of life in The Itching Parrot served to launch the Latin American novel; Cortázar’s study of the plots and style of Poe shows an affinity that left an indelible mark on the Argentine’s short fiction; Susan Sontag views Machado de Assis as the ultimate mirror, a proto–postmodernist.
With other essays by Thomas Pynchon, William H. Gass, John Updike, Gabriel García Márquez, Alejo Carpentier, John Barth, Robert Coover, Pedro Henríquez Ureña, Grace Paley, Juan Carlos Onetti, and Mark Strand, among others, Mutual Impressions offers a remarkable view of the connections that comprise a literary tradition of the Americas. It is a book that will surprise and enliven its readers as it informs and awakens in them a sense of wonder.
Contributors. John Barth, José Bianco, Robert Bly, Jorge Luis Borges, Alejo Carpentier, Hiber Conteris, Robert Coover, Julio Cortázar, Ezequiel Martínez Estrada, Waldo Frank, Carlos Fuentes, William H. Gass, Nicolás Guillén, William Kennedy, Mario Vargas Llosa, Gabriel García Márquez, José Martí, Pablo Neruda, Victoria Ocampo, Juan Carlos Onetti, Grace Paley, Octavio Paz, Katherine Anne Porter, Thomas Pynchon, Kenneth Rexroth, Antonio Benítez Rojo, Barbara Probst Solomon, Susan Sontag, Ilan Stavans, Mark Strand, John Updike, Pedro Henríque Ureña, Derek Walcott, Paul West
Combining natural history with political history in a filmic, montage style, Taussig deploys the show-and-tell modality of a museum to engage with the inner life of heat, rain, stone, and swamp, no less than with the life of gold and cocaine.
This effort to find a poetry of words becoming things is brought to a head by the explosive qualities of those sublime fetishes of evil beauty, gold and cocaine. At its core, Taussig's museum is about the lure of forbidden things, charged substances that transgress moral codes, the distinctions we use to make sense of the world, and above all the conventional way we write stories.
"I am willing to relate all I can remember, but I wish it clearly understood that it must be in my own way, and at my own time. I will not be hurried or dictated to. It is my history and not yours I propose to tell.”—Mariano Guadelupe Vallejo, on “Recuerdos históricos y personales” (1875)
My History, Not Yours is a landmark study of the autobiographical writings of Mexican Americans in the century following the US-Mexican War of 1846-1848. Some 75,000 inhabitants of what is now Texas, New Mexico, Arizona, Nevada, and California were suddenly foreigners on their own lands. Faced with the deliberate obliteration of their history, culture, language, and personal experiences, these women and men set down the stories of their lives and their communities, as a means of both remembering and resisting.
Genaro M. Padilla and other scholars have begun to uncover the huge store of literary materials forgotten in manuscript archives: memoirs long out of print, others unpublished and unread, diaries, family histories, poetry, correspondence, and texts of corridos (ballads). Padilla writes, “Lives are scattered on broken pages, faded, partially lost at the margins, suspended in language unread until there is a reader who opens the file and begins. It is my intention to initiate a recovery of that autobiographical formation that emerged after a war of conquest.”
In providing an overview of this rich literature, Padilla also points out the power relations embedded in the narratives, showing that the reconstruction of the Mexican past was not merely nostalgic idealization, but often an angry and deeply politicized recovery of a world ruptured by American domination.
Providing ways to link literary and nonliterary narratives, González Echevarría examines a variety of archival writings—from the chronicles of the discovery and conquest of the New World to scientific travel narratives and records of criminal confessions—and explores the relationship of these writings to novels by authors such as García Márquez, Borges, Barnet, Sarmiento, Carpentier, and Garcilaso de la Vega. Moving beyond demonstrating that early forms of creative narrative had their geneses in the sixteenth-century authoritative discourse of the Spanish Empire, González Echevarría shows how this same originating process has been repeated in other key moments in the history of the Latin American narrative. He shows how the discourse of scientific discovery was the model for much nineteenth-century literature, as well as how anthropological writings on the nature of language and myth have come to shape the ideology and form of literature in the twentieth century. This most recent form of Latin American narrative creates its own mythic form through an atavistic return to its legal origins—the archive.
This acclaimed book—originally published in 1990—will be of continuing interest to historians, anthropologists, literary theorists, and students of Latin American culture.
This book centers on a foundational moment for Latin American racial constructs. While most contemporary scholarship has focused the explanation for racial tolerance-or its lack-in the colonial period, Marixa Lasso argues that the key to understanding the origins of modern race relations are to be found later, in the Age of Revolution.
Lasso rejects the common assumption that subalterns were passive and alienated from Creole-led patriot movements, and instead demonstrates that during Colombia's revolution, free blacks and mulattos (pardos) actively joined and occasionally even led the cause to overthrow the Spanish colonial government. As part of their platform, patriots declared legal racial equality for all citizens, and promulgated an ideology of harmony and fraternity for Colombians of all colors. The fact that blacks were mentioned as equals in the discourse of the revolution and later served in republican government posts was a radical political departure. These factors were instrumental in constructing a powerful myth of racial equality-a myth that would fuel revolutionary activity throughout Latin America.
Thus emerged a historical paradox central to Latin American nation-building: the coexistence of the principle of racial equality with actual racism at the very inception of the republic. Ironically, the discourse of equality meant that grievances of racial discrimination were construed as unpatriotic and divisive acts-in its most extreme form, blacks were accused of preparing a race war. Lasso's work brings much-needed attention to the important role of the anticolonial struggles in shaping the nature of contemporary race relations and racial identities in Latin America.
Dore seamlessly combines archival research, oral history, and an innovative theoretical approach that unites political economy with social history. She recovers the bygone voices of peons, planters, and local officials within documents such as labor contracts, court records, and official correspondence. She juxtaposes these historical perspectives with those of contemporary peasants, landowners, activists, and politicians who share memories passed down to the present. The reconceptualization of the coffee economy that Dore elaborates has far-reaching implications. The Sandinistas mistakenly believed, she contends, that Nicaraguan capitalism was mature and ripe for socialist revolution, and after their victory in 1979 that belief led them to alienate many peasants by ignoring their demands for land. Thus, the Sandinistas’ myths of modernity contributed to their downfall.
The chapters are grouped into four sections. The first section interprets the Highland Maya worldview through examination of the text, analyzing interdependence between deities and human beings as well as the textual and cosmological coherence of the Popol Vuh as a source. The second section analyzes the Precolumbian Maya archaeological record as it relates to the myths of the Popol Vuh, providing new interpretations of the use of space, architecture, burials, artifacts, and human remains found in Classic Maya caves. The third explores ancient Maya iconographic motifs, including those found in Classic Maya ceramic art; the nature of predatory birds; and the Hero Twins’ deeds in the Popol Vuh. The final chapters address mythological continuities and change, reexamining past methodological approaches using the Popol Vuh as a resource for the interpretation of Classic Maya iconography and ancient Maya religion and mythology, connecting the myths of the Popol Vuh to iconography from Preclassic Izapa, and demonstrating how narratives from the Popol Vuh can illuminate mythologies from other parts of Mesoamerica.
The Myths of the Popol Vuh in Cosmology, Art, and Ritual is the first volume to bring together multiple perspectives and original interpretations of the Popol Vuh myths. It will be of interest not only to Mesoamericanists but also to art historians, archaeologists, ethnohistorians, iconographers, linguists, anthropologists, and scholars working in ritual studies, the history of religion, historic and Precolumbian literature and historic linguistics.
Contributors: Jaime J. Awe, Karen Bassie-Sweet, Oswaldo Chinchilla Mazariegos, Michael D. Coe, Iyaxel Cojtí Ren, Héctor Escobedo, Thomas H. Guderjan, Julia Guernsey, Christophe Helmke, Nicholas A. Hopkins, Barbara MacLeod, Jesper Nielsen, Colin Snider, Karl A. Taube
The book illustrates how expressions of resistance developed from the ground up in different regions of Mexico, including Chihuahua, Guerrero, Jalisco, Mexico City, Puebla, and Nuevo León. Movements in these regions took on a variety of forms, including militant strikes, land invasions, cross-country marches, independent forums, popular organizing, and urban and rural guerrilla uprisings.
México Beyond 1968 brings together leading scholars of Mexican studies today. They share their original research from Mexican archives partially opened after 2000 and now closed again to scholars, and they offer analysis of this rich primary source material, including interviews, political manifestos, newspapers, and human rights reports.
By centering on movements throughout Mexico, México Beyond 1968 underscores the deep-rooted histories of inequality and the frustrations with a regime that monopolized power for decades. It challenges the conception of the Mexican state as “exceptional” and underscores and refocuses the centrality of the 1968 student movement. It brings to light the documents and voices of those who fought repression with revolution and asks us to rethink Mexico’s place in tumultuous times.
Contributors:
Alexander Aviña
Adela Cedillo
A. S. Dillingham
Luis Herrán Avila
Fernando Herrera Calderón
Enrique C. Ochoa
Verónica Oikión Solano
Tanalís Padilla
Wil G. Pansters
Jaime M. Pensado
Gema Santamaría
Michael Soldatenko
Carla Irina Villanueva
Eric Zolov
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